Monday, 27 May 2013

Santali E-book

A new way to interact in learning and knowing santali with new way to do with is E-book,it enables you to read texts on your mobile & pc,now in today's technology race santali culture and its traditions are too growing up..rapidly...

Available E-book :
1.A Framework for Learning and Understanding                               
Santali in Ol Chiki Script.                                                               
                                                                                                             
2.Santali to English Dictionary                                                            
                                                                                                             

Santali-English Dictionary

                              A Concise
                  Santali-English Dictionary

Santali to english dictionary developed by:

R. C. Hansdah
Department of Computer Science and Automation

Indian Institute of Science.
&
N. C. Murmu

National Aerospace Laboratories.
                      click here to download

English-Santali Dictionary

                            A Concise
               English-Santali Dictionary

English to Santhali Dictionary developed by:

R. C. Hansdah
Department of Computer Science and Automation

Indian Institute of Science
&
N. C. Murmu

National Aerospace Laboratories
                              click here to download

A Framework for Learning and Understanding Santali in Ol Chiki Script

A Framework for Learning and Understanding
               Santali in Ol Chiki Script

A ebook developed by R. C. Hansdah
Dept. of Computer Science & Automation
Indian Institute of Science
&
N. C. Murmu
Tribology Group.
click here to download

Thursday, 23 May 2013

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Friday, 10 May 2013

Collection - J



         Collection of Song starting From J


Johar visitor, songs below can't be downloaded now . We will update the link within a week .

Collection from - I






Johar visitor, songs below can't be downloaded now . We will update the link within a week .

  1. Ing ma uyun.mp3
  2. Ingin helka amem.mp3

Collection - H


                   Collection of Song starting From H



Johar visitor, songs below can't be downloaded now . We will update the link within a week .

  1. Haat Bazar Daren Me.mp3
  2. hane buru lodom re.mp3
  3. Hane Pahelin.mp3
  4. hape tingun mein.mp3
  5. Hara Godore.mp3
  6. Hara Tora.mp3
  7. Hat Pata Re.mp3
  8. Hay Re Koda.lite.mp3
  9. Hisid hoye te daare .mp3
  10. Hizub Sena Nepel Hole.mp3
  11. Hola Tikin.mp3

Collection - B


            Collection of Song starting From A
Johar visitor, songs below can't be downloaded now . We will update the link within a week .

  1. BALAKURI.mp3
  2. BANG DO EPIL BANG DO.mp3
  3. BANG DO GATEM MIRU.mp3
  4. Banndo Jhalmuni.mp3
  5. Banndo Jhalmuni.mp3
  6. Baruma Dashana Re.mp3
  7. Baruma Dashana Re.mp3
  8. BAY HAR MUNDU LIRE.mp3
  9. BAYRI KHON PERA .mp3
  10. Beray tikin ena.mp3
  11. BHAR bar yel te.mp3
  12. Bheegehoont Tere.mp3
  13. Bul bhutad.mp3(Jhar Jhuri)
  14. Buru ma dhasna re.mp3
  15. BURU_KOCHA.mp3
  16. BURUSO~1.mp3

Thursday, 9 May 2013

Santhal E- disom


Johar, You're welcome in santhal E-disom.com 
                                     
Santhal Sadpa Dance
 

                                           a first online E-portal of santals where it enables you to go through the radiant world of Santals in knowing their culture,society over the internet. Here you will get every information related The Most populated and well cultured Tribe in World at India. We "santhaledisom.com" provides you a way to connect them and knowing them as well as Santhal Tribal's Photos,Songs,videos and the information related to santhal, all of these thing you will be getting here..
_________________________________________________________
                         Mp3 | Video | Gallery | Santhal Society |                          

Collection - Y

Johar visitor, songs below can't be downloaded now . We will update the link within a week .




We're still adding content to this page, soon you will get all the santhali songs that starts from 'y' . This page will allow you to download the all the songs in one click . The song downloading from this page will be in mp3 audio format from 96kbps to 128 kbps . This will help you to download the high quality with audio compression that we've used in this website, actually it reduces the amount of data consumed compared to the other website .

Collection - X

Johar visitor, songs below can't be downloaded now . We will update the link within a week . Please this page after sometimes .
 Inconvenience caused to you is deeply regreted .



We're still adding content to it .

This page will contains all the santhali songs starting from 'x' albhabet .


Collection - W

Johar visitor, songs below can't be downloaded now . We will update the link within a week . Please try this page after sometime .


We're still adding content to this page .


Read more about Sido-Kanhu the leader of Santal hul
please click here to know about them .





Collection - U

Collection - T





  1. Tangee Tenrang Nichool.mp3
  2. Tangi Tadha......mp3
  3. Tata Baazer Kami Kuri.mp3
  4.  Tata Bajar.mp3
  5. Tata Karandi.mp3
  6. TATA KORONDIH.mp3
  7. Tata Tisco.mp3
  8. Tenane Paya Noeabera.mp3
  9. Tere Naam Fitingents.mp3
  10. Thanda Thanda Cool Cool.mp3
  11. Thope Baha.mp3
  12. ti bambol bodola.mp3
  13. Tikin Bera jharna......mp3
  14. Tina din nogkam tahena.mp3
  15. TIRE CHURI KIRING ANJ ME....mp3
  16. TIRE CHURI KIRING ANJME.mp3
  17. Tisharicha Amedo.mp3
  18. Toka rinij rusika.mp3
  19. Tope Baha.mp3
  20. Track01.mp3
  21. Track02.mp3
  22.  Tuijoodi Aamar Hoti.mp3

Collection - R




  1. Rahla rimil re.mp3
  2. Resam Saree.mp3
  3. rijhw lindi yaam go.mp3
  4. Rimeel Rimeel.mp3
  5. Roop Dotem .mp3

Collection from - P

Collection from - O




  1. ogom dorya.mp3
  2. Oh Bale Baha.lite.mp3
  3. Okka Helo.mp3
  4. O Kudi Koda Mone.mp3
  5. Okka Helo.mp3

Collection from - N





  1.  Napambela Seterena.mp3
  2. nawa nawa dil te.mp3
  3. nowa hariyaharti.mp3
  4. nyelo kanam.mp3

Collection from - M

Tuesday, 7 May 2013

Collection - A



                      Collection of Song starting From A

  1. A biti ayo thanda thanda.mp3
  2. a budi re.mp3
  3. A Gate Re.mp3
  4. A Kuree Korda Mone.mp3
  5. A kuri re kuri re.mp3
  6. A phagun nonka.mp3
  7. Aaam do  guti kora.mp3
  8. Aale Hattu Do Mai.mp3
  9. Aam Do Buser Baha.mp3
  10. Aam Do Gate Re.mp3
  11. Aam Dop Ulade.mp3
  12. Aam ho chetan ghat re .mp3
  13. aam saaw nepel.mp3
  14. Aama Duler Rasate.mp3
  15. Aama Kola Pardeshi.mp3
  16. Aama Mone Ringi Tingi.mp3
  17. Aama Mone.mp3
  18. Aama Paroka Real.mp3
  19. Aamge Jivan Juri Do.mp3
  20. aape maya.mp3
  21. Aape Tola Remo.mp3
  22. aatra idi kate.mp3
  23. Ae Marang Buru.mp3
  24. ae peda sanging disom.mp3
  25. aeger ing kana ko.mp3
  26. Ajhara phuli na.mp3
  27. Akut Bera Re.mp3
  28. Alang Jira Der.mp3
  29. Ale Hatu Do Mai.mp3
  30. Ale Kulli.mp3
  31. Am Ge Jibon Juri.mp3
  32. Ama Tircha Terang.mp3
  33. amdo hara tora.mp3
  34. Ame Do Honeg.mp3
  35. amge dular khatir te.mp3
  36. Amshanipel Yapem.mp3
  37. Ara phita .mp3
  38. Arshe Rupem.mp3
  39. Atang Luti.mp3
  40. Atang Saree.mp3
  41. Attu Supur Supur.mp3
  42. Ature Lo.mp3

Ol chiki- Santal's script


                                       Ol Chiki- Santhal's Scipt


Pandit Raghunath Murmu is the inventor of Ol Chiki script. He was born in a village, called (Dahardih)Dandbose, on 5th May 1905 on the day of full moon in the district of Mayurbhanj, Orissa. After a brief stint in technical profession, he took up the job of teaching in Badomtolia high school. During this time, his interest was drawn into Santali literatures. Santali is a language with its own special characteristics, and has a literature which dates back to the beginning of the 15th century.  Naturally, he felt that Santals with their rich cultural heritage and tradition also need a separate script to preserve and promote their language, and therefore, he took up the work of inventing Ol Chiki script for writing Santali. The epoch making invention of Ol Chiki script was unveiled in 1925. In the novel Bidu Chandan, he has vividly described how god Bidu, and godess Chandan who appear on Earth as human being would have naturally invented the Ol Chiki script in order to communicate with each other using written Santali.  He wrote over 150 books covering a wide spectrum of subjects such as grammar, novels, drama, poetry, and story in Santali using Ol Chiki as a part of his extensive programme for culturally upgrading the Santal community. "Darege Dhan", "Sidhu-Kanhu", "Bidu Chandan" and "Kherwal Bir" are among the most acclaimed of his works. Pandit Raghunath Murmu is popularly known as GURU GOMKE among the Santals, a title that was conferred on him by the Mayurbhanj Adibasi Mahasabha. Besides the Govt of West Bengal and Orissa, several other organizations/associations including Orissa Sahitya Academy have honoured him in various ways and Hon D. Litt. was conferred on him by Ranchi University. The great thinker, philosopher, writer, and dramatist breathed his last breath on 1st February, 1982.
   

Why do we need Ol Chiki script ?

In earlier times, all Santali writings were in Bengali, Devanagari, or Roman script. Although there have been impressive number of works by foreigner and non-Santal writers on dictionary, grammar, collection of folklore etc., these works are mostly intended for research purposes. Roman script was in extensive use for writing Santali and several books in Santali have been published using Roman script.  But most of the creative literatures were written by the native speakers in Bengali or Devanagari script. The use of different scripts for writing Santali has hindered the development and utilization of Santali language. This, in turn, has effectively marred the progress of Santali language in several fields such as philosophy, history, religion, science, novel, prose, poetry etc. The problem of using different scripts for the same language necessitated the invention of a new script for Santali, and it finally led to the invention of Ol Chiki by Pandit Raghunath Murmu.



After the invention of Ol Chiki, a large number of books have been written by various authors in Santali using Ol Chiki script. Types of books include  (i) novels and short stories, (ii) poetries, songs, and religious sermons, (iii) books on Santal society, (iv) primary books for learning Ol Chiki, (v) books for learning primary mathematics, (vi) books on Santali grammars and related topics, and (vii) books on great tribal persons. Santali magazines in Ol Chiki are also being published regularly.



The problems with Indic Scripts:

The problems of correctly representing Santali sounds in Indic scripts, viz., Bengali, Devanagari & Oriya are explained here. Firstly, in Indic language, some phonetics like checked consonants / k', c', t', p'/ do not exist. If one attempts to suppress the inherent vowel of consonants /KA/, /CA/,  /TA/ &  /PA/ of any Indic script, it would only produce /k/, /c/, /t/ & /p/, respectively. There are no mechanisms to represent these unique Santali sounds. Secondly, there is a difficulty of representing the Santali vowels. Currently, the Santali language does use eight or nine vowels that can be short or long and nasalized, whereas the Indic scripts provide only six vowels. By modifying the vowels of Indic script using diacritic marks, the santali vowels can be represented to some extent, but when such vowels are used in the beginning of a word, they tend to approximate with closest vowels of the Indic script. Thirdly, there is no mechanism to represent the Glottal stop of Santali sounds which Santals use very frequently.



The problems with Roman Script:

Although the Roman script can nicely represent checked consonants, but it is not without deficiencies. The Roman script cannot distinguish between the short and long vowels. It is worth mentioning that the Santali long vowels are pronounced much longer than those of English, and other Indic languages. Another problem with Roman script is that it does not have any explicit mechanism to represent the Glottal stop. Therefore to retain the beauty, specialty, peculiarity & sweetness of Santali language, there is a need to use a script that can represent all sounds of the Santali language accurately and  is naturally appealing to all Santals, and it is definitely the Ol Chiki script that fulfils these requirements.

A Brief Introduction to Ol Chiki Script
The very basic information about Ol Chiki script is  provided  here. The intention of this tutorial is to provide information about the unique features of Ol Chiki writing system, which is often  misunderstood due to a lack of organised information about the script. Here, an attempt has been made to provide sufficient information about features and functions of various letters: vowels, consonants and diacritics. This tutorial is written by R. C. Hansdah and N. C. Murmu.
UPDATED ! on 10/08/2003

Introduction:
This script is also known as Ol Cemet', Ol script, Ol ciki Script and also Ol. In Santali, Ol means writing and Cemet' means learning . So, Ol Cemet' means the learning of writing. Ol Cemet' is the title of the book, written by Pandit Raghunath Murmu for teaching the Ol Chiki to the beginners(primer). Ol Chiki is alphabetic, and does not share any of the syllabic properties of the other Indic scripts. It is used for writing Santali which belongs to the Munda group languages of the Austro-Asiatric family. One of the interesting feature of the Ol Chiki script is that it makes use of signs and symbols long familiar to the Santals. The very ingenuity in shaping the symbols of the letters and arranging the letters in the script has been greatly helpful in transmission of the script. A large number of words in the Santali language are derived from natural sounds. Letters of Ol Chiki script are also derived from the physical environment and what surrounds the people - hills, rivers, trees, birds, bees, plough, sickle - the list is endless . Norman Zide, an eminent linguist in his work (Zide, 1996) says, The shapes of the letters are not arbitrary, but reflect the names for the letters, which are words, usually the names of objects or actions representing conventionalized form in the pictorial shape of the characters. For example, the word At means earth and the shape of letter /AT/  derived from the round shape of earth. Similarly /UD/ means mushroom and so is the shape of the letter /UD/.

On commenting about Ol Chiki, Zide (1996)  observes, One ingenious - scientific and unique feature of Ol Cemet that certainly increases the efficiency of writing Santali is the deglottalizing ohot'(AHAD). This neatly preserves the morphophonemic relationship between the glottalized and the voiced equivalent: The former occurs in words at certain word-internal preconsonantal junctures, whereas the latter occurs prevocalically, but never morpheme-initially in these alterations. Thus /OK/ is the name of a letter that represents both /k'/ and /g/. Two further diacritics include a horizontal loop added at the top right of the character for aspiration of consonants, and a raised dot for vowel nasalization.

Santali language:
Santali language contains some phonetics which are generally not used in English and  neighbouring  Indian languages, and hence,  learning the correct pronunciations of Ol Chiki letters is very important. In fact, these pronunciations give a feeling of why Santali language  needs a separate script, specially the pronunciations of unreleased stops/ k', c', t', p' /, which are not found in English and other Indic languages. It is a momentary obstruction of the passage of air by the glottis and its sudden release, which creates a small explosion of air,  giving the consonant a hard sound. Another notable feature of Santali language is the presence of voiced and voiceless /h/. The  voiceless /h/ occurs frequently in Santali language. The occurance of nasals are also extremely regular and they have the phonological distinctions in even word final position.

Ol Chiki:

The Ol Chiki letters are arranged in a matrix of 6 by 5, in which the six letters in the first column of the matrix are vowels, and the rest  24 letters are consonants. However, the five letters of the third column represent dual consonants, and this, eventually, helps to represent 29 consonants with the help of diacritic Ahad. Ol Chiki gives 5 basic diacritics, and the combination of diacritics Mu Tudag and Gahla Tudag gives rise to another diacritic, called Mu-Gahla Tudag. The matrix of Ol Chiki letters are listed  with transliteration of alphabets, with pronounciation in brackets and their sounds in bracelets.




The above table gives Ol Chiki letters,  their transliterations, their pronunciation and the corresponding phonetic alphabets(IPA). Phonetic alphabets are given to understand the correct pronunciations of Ol Chiki letters. Note: sometimes /AAW/ also approximates to /v/.

Diacritics:
The diacritic Mu Tudag functions like Devnagari chandrabindu, and  it is used for nasalization of vowels. Gahla Tudag is used for generating additional vowels, and Rela is used for generating extra length in the vowels. Pharka is used as separator and Ahad has special properties, that will be discussed later.




Vowels:
The important component of any writing system is the vowels, which are, indeed, responsible for producing words by joining the consonants. The description of vowel system of Ol Chiki script is given here. The Santali language has 9 vowels. The first six vowels are shown in first column of the Ol Chiki alphabets matrix. The next three vowels are generated juxtaposing the Gahla Tudag. But one of the vowel  generated by placing Gahla Tudag (/A/+ Gahla Tudag) has marginal phonemic status and rarely used. In Santali all vowels may be long or short and all vowels may be nasalized. The Santali diphthongs consists of two vowels; unlike English they never consist of a vowel and a semi-consonant. The below is that list of Santali language vowels along with their corresponding International phonetic alphabets.
pic3

The first six are familiar vowels in English and many other Indian languages like Bengali, Hindi or Oriya. First vowel is equivalent to  /o/ of boil, boy , coy. The pronunciation of this vowel is similar to that of Bengali or Oriya first vowel which is also  the inherent vowel of Bengali/Oriya script.  /a/ is pronounced as in /a/ of English word car. The pronunciation of /i/ is similar to that of /i/ in English word city or sit, and that of /u/ is similar to /u/ of put. The pronunciation of /e/ is similar to /e/ of English word get, and that of /o/ is more like /o/ of more. The remaining three vowels are discussed in the Gahla Tudag section.

Word Formation:
Ol Chiki writing system is alphabetic, and so,  it is better understood using Roman script. Normally, in Santali language, all words begin with either a vowel or single consonant. However, it is observed that inside a word, a combination of two consonants may occur, and, sometimes even three. But then one of these is a nasal. It is worth mentioning that, in Santali language, the occurrence of nasals is extremely regular.  These are even distinguishable in word final position.
Let us look at  some of the examples that illustrate how words can be formed using Ol Chiki letters. Suppose, one needs to construct a Santali word /am/, then just put the vowel /a/ followed by the consonant /m/. so, we write /a/ + /m/ =  a + m = /am/  which, in Santali,  means 'you'. Similarly, when we need to write  /ipil/, we write  /i/ + /p/ + /i/ + /l/ =    i+p+i+l = /ipil/  which, in Santali, means 'star'.  Given below is a list of examples which  would help to understand the mechanism of forming words using Ol Chiki  vowels and consonants.



Additonal consonants :
Apart from the consonants mentioned above, Santali language does use other aspirated consonants. An aspirated consonant is generated by juxtaposing /OH/, which functions more like English /h/,  immediately after another consonant. For example : /dh/  of Dhanbad, is generated using /EDD/ followed by /OH/.  It should be noted that, in Ol Chiki, it is  /OH/(and not /IH/) that is used to generate the aspirated consonants, and this is in contrast to the English language, where no such distinction is made. The consonant /OH/, when placed  immediately after the unaspirated consonants t/AT/, g/AG/, k/AAK/, j/AAJ/, c/UCH/, d/UD/, p/EP/, D/EDD/, t/OTT/, b/OB/ generates the  corresponding aspirated consonants.

Glottal stop:
Here is an example, where /OH/ is used along with /EN/  as in the word, /nhate/ which means 'this side'. This sound is a bit voiceless. This is a prolongation of /n/ along with /h/ sound, and  it is an example of glottal stop. A point to be noted here is that this glottal stop is  generated in combination of /IH/ with Ahad, but it is normally written in a shorter form using /OH/. Although there are few words in Santali language that use the glottal stop, but the use of such words are very frequent in Santali language. Here is a list of words where glottal stop is used.



Mu Tudag:
This diacritic is used for the nasalization of vowels. As already mentioned that in Santali language, all vowels and diphthongs may be nasalized. It works in the same way as  the chandrabindu of Devnagari script. When it is placed immediately after a vowel,  the vowel gets nasalized. The example of nasalized vowels that are used in the words of Santali language are given below.

Gahla Tudag:
Gahla Tudag is used to generate the additional vowels from the following vowels, viz., open vowel /o/(first vowel), /a/, and /e/. The vowel /a/+/Gahla Tudag/ is the most frequently used vowel, and there is no exact English equivalent for the same. This is  a half open central vowel and  its pronunciation is approximately equivalent to that of /a/ in  ago. The vowel /e/+/Gahla Tudag/ is pronounced as in /a/ of English word gate and it is open /e/(half open front vowel). But the pronunciation of the vowel  /o/+/Gahla Tudag/ is very nearly the same as that of the original vowel, and it occurs in a few words only.
  


Mu-Gahla Tudag:
The  Mu-Gahla Tudag indicates that the new vowel generated by the Gahla Tudag is nasalized.




Rela:
In Santali language, all vowels may be short or longs and it is Rela that is used to lengthen the pronunciation of vowels. For example, in the pair of words /hit/ and /heat/ (or /bit/ and /beat/ ) in English, the former uses a short vowel , but  the later uses a long vowel. In case of Ol Chiki, the long vowels are pronounced much longer than those of English, and a long vowel corresponding to a vowel  is indicated by immediately following the vowel  with the diacritic Rela. The Rela is extensively used in the adverb of Santali language. Here is a list of words that use the rela and their pronunciations and meanings. 


 



Ahad:
In Ol Chiki, the letters, /AG/,  /AAJ/,  /UD/, and  /OB/ are semi-consonants. These semi-consonants become consonants (voiced equivalents), when they are immediately followed by a vowel or Ahad. This generates dual sounds from these semi-consonants depending on whether they are immediately followed by a vowel/Ahad or not. This is a feature unique to Ol Chiki, which is not observed in any other writing system.
Take the  example of  /AG/: it produces two sounds, viz.,  /k'/ and /g/.  The use of  /k'/ is in words like /amak'/your/ or /senok'/go/. The /k'/ is not fully released in these circumstances. The pronunciation of this consonant is a bit unique to Santals, and it is in-between /k/ and /g/. It starts with /k/ and glides towards /g/. Similar is the case with /AAJ/, which gives /c'/ and /j/ (Here /c/ is unreleased /ch/ of church ). Similarly, /UD/ gives /t'/ and /d/, and /OB/ gives /p'/ and /b/.

Whenever a semi-consonant occurs at the end of a word, and the word is naturally extended for a different use using a vowel or Ahad, it is always the corresponding consonant as given above that appears in the new word. What it means is that /k'/ will always get extended to /g/, and never to /k/, and so on.  This behaviour of semi-consonants normally occurs in verb formations, and hence, this transformation is very widely used in Santali language. As an example, consider the following pair of sentences: /Uniy rak' kek'a/He wept/ and  /Uniy raga/He will weep/.  In this example, /kek'a/ in the first sentence  gets replaced by /a/ in the second sentence, and therefore, /k'/ in /rak'/ gets extended to /g/ in /raga/. Exmaples of pairs of sentences using other semi-consonants are as follows: /Uni toway hedec' kek'a/He boiled milk/ and /Uni toway hedeja/He will boil milk/, /Uniy ut' kek'a/He swallowed/ and /Uniy uda/He will swallow/,  and /Uniy up' kek'a/He poured/ and /Uniy uba/He will pour/.  An example of a  pair of words that can show this behaviour  is  /rakap'/lift(intransitive verb)/ and /rakab/lift(transitive verb)/.   This is the reason why each of the Ol Chiki  letters /AG/,  /AAJ/,  /UD/, and  /OB/ has been used to represent the dual sounds as given above, and   because of  this special behaviour of these letters in word formation, they have been termed as "semi-consonants". However, a better name can be sought if it is deemed so.

Pharka:
The diacritic Pharka  is used very frequently in Santali writings and works as separator in two ways. First, it is used to separate two consonants of similar paired words as in /sujh-bujh/understanding/. Second, it is used to separate a consonant from the following vowel. It is generally used to prevent the semi-consonants from becoming full consonants and these cases occur in a large number of  verb formations such as  /menak'-a/have/Verb/,  /hijuk'-a/come/Verb/ etc. Also, there is another situation, where nasal consonant  /ANG/,  is separated by Pharka from the following vowel.
Punctuation marks:
The main punctuation mark used is the single vertical line "|",  and it marks the  end of a sentence. There are  other familiar punctuation marks which are also used in Santali language. The names of punctuation marks as given in the grammar book Ranal written by Pandit Raghunath Murmu are as given in the following table.
The hand writing of Ol Chiki letters:
The Ol Chiki gives hand writing letters for fast writing. It is called  /usA.ra ol/. The hand writing letters consist of all letters which are vowels and consonants,  and the letters which are formed in combination of /IH/ and  four semi-consonants , /AG/, /AAJ/, /UD/, /OB/ with Ahad. In normal writing, the combination of  /IH/ with Ahad is not found, as  it is generally written in a shorter form that is /OH/.
Digits:
Ol Chiki uses decimal system, and the symbol for  basic digits  0-9 are as follows:
Origin of Ol Chiki letters:

The great novelties and usages in Santali language are as a result of the   natural derivation of the forms for words, where, sounds generating out of actions or movements from animated or unanimated objects or sounds associated with living being and their corresponding words, are robustly approximated. Therefore, Pandit Raghunath Murmu tried to infuse this concept of natural formation of Santali words into Ol Chiki. When Pandit Raghunath Murmu devised the script, he carefully choose the shapes of the scripts from the nature, the surroundings which is long familiar to the Santals, and is close to them. The Santals form a community which has wonderful relationship with nature, and they respect it very well. Santal mythology gives many stories and songs that depict very importance of respecting nature and sense of preserving it. The selection of shapes for Ol Chiki letters is directly based on the shapes of objects or actions  which the sounds for the letters represent, or with which the sounds for the letters are in some way associated. Naturally, the sources for the shapes of letters were fire, soil, water, air and sky- an environment that surrounds them. This is an indigenous concept and has multiple objectives. It would greatly help them to remember the letters easily, since they are familiar with the shapes and sounds that  can be  easily retrieved from the corresponding image from the nature. It can be observed that the shapes of most of the letters are either oval or round. This is due to the nature of origin of letters, whose shapes are often derived from the shape of an object or action of natural environment. For example, the word /AT/ means Earth and the shape of letter /AT/ is derived from the round shape of Earth. Similarly /UD/ means mushroom and so looks the shape of the letter /UD/. Here is the list of meaning of all letters given in Ol Chiki writing system.

/A/     : The shape of  burning fire.
/AT/   : The shape of Earth.
/AG/  : The shape of mouth during vomiting which produces the

            same  sound as the name of the letter.
/ANG/: Blowing air.
/AL/  : Writing.
/AA/  : The shape of  working in the field with a spade.
/AAK/: Sound of Swan or shape of a bird.
/AAJ/ : The shape of a person pointing towards a third person with

            right hand(saying he).
/AAM/: The shape of a person pointing towards a second
           person with left hand(saying you).
/AAW/: Opening lips.
/I/     : Bending tree .
/IS/   : The shape of plough.
/IH/   : The shape of hand ups.
/INY/ : The shape of a person pointing towards himself or herself with
            left hand.
/IR/   : The shape of a sickle used for cutting or reaping(IR).
/U/    : The shape of a vessel used for preparing food.
/UCH/: The shape of a peak of  a mountain which is usually high.
/UD/  :  The shape of mushroom.
/UNN/: The picture of a flying bee which makes this sound.
/UY/  : The shape of a man bending towards ground to cut something.
/ E/   : Overflowing rivers changing course.
/EP/  : A person receiving with both hands.
/EDD/: The shape of a man with two legs stretching towards his 
           chest and mouth.
/EN/  : The picture of thrashing grains with two legs.
/ERR/: A picture of a path that turns to avoid an obstruction or a
          danger.
/O/   : The shape of mouth when sounding this.
/OTT/: The hump of a camel.
/OB/ : Curly hair.
/OV/ : Nasalized.
/OH/ : The figure of a man throwing something with one  hand.



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