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Baha Festival

BAHA’ is  second great and holy festival in SANTAL Tribal. This is performed in the month of phagun (Feb-March) after full moon has cut down by its halfway. This is the time when year changes - past year gone and the New Year knocks. The flowers of Sal, Mahua,Ichak and Murut blossoms.
One shouldn’t taste these flowers before Baha. If anybody dose then,the Naike(Priest) of the village boycotts his

Janthar Bonga

Santal people celebrates Janthar bonga when paddy get ripen, they worship to bongas and acknowledge their gratitude for helping them in good production of crops. Before bringing them to
the house they bring this to sacred ‘Sal’ tree and worship it then later it enables them to take those crop home. That same night, the Nayake(priest) happens to sleep on mate. On the worshipping day,the priest takes the ripen paddy to ‘Jaher than’ where Nayake, Kudam Nayake worship the Marang buru, Jaher Era, Dhorom gosai, Modeku turuyku. Sacrificial of Cock or pig is given and is cooked with cereal of rice and eaten by the villagers and worshippers together.

Nobody reap or bring the paddy to the houses before the ‘Janthar bonga’ .

In this way Santals are dedicated to nature and they worship the nature-Bongas when they cultivate  crops they do ‘Erok bonga’ and as well as when it crops get ripen they do ‘Janthar Bonga’ .This is how they respect the nature and show their gratitude toward the nature.
Janthar bonga santal worships when paddy get ripen
Nayake while worshipping

Janthar bonga
Janthar bonga

Sakrat - Santali festival

Sakrat is celebrated by Santal Indigenous people in 14th/15th January.Sakrat is also known as “BarabareDin”. Haku Katom is celebrated one day before the Sakrat. This day is also known as  “HologHurg Mah”( HologHurg Day).In this day People eat Fish+Meat+ Jill Pith(Bread which is made of Rice Flour and Meat) etc. This day people use Mustard oil in Leg,Hand,Stomach etc. Early morning of Sakrat first Manjhi Baba and Manjhi Gogo then villagers bath in Tupun Gat(Pond/River etc) and wear new cloth. All people bath before the Sun Rise. After that all people go to own home and worship of Bogas(God) and  Ancestors in Bitiri Orah(A Room in home where Sanatl worship). They take the name of ancestors Up to 3 generation. They give sacrifice of cock by hitting cock to his home Doorpost (चौखट).Then villagers go to forest for Hunting, which is called “Sindra”. After returning from Sindra villagers do the “Bejatunj ". They target the pole by arrow which is made of Banana Tree or Aradom, Tree. Behind this there is a story of King and Queen. Where Queen was represent the evil spirit. In the end, Queen was killed by arrow. So people Target the pole to kill the evil. According to Santal Indigenous people Sakrat is the "Last Day of The Year". Sakrat next day they start any new work. Because they believe that first day of the Nawa Serma(New Year) is Lucky day.

jil pitha sakrat
Jil pitha

Jil pitha with gud pitha
Jil pitha with Gud pitha in Sarjom sakam(leaf)

Bejatunj :

Bejatunj is part of Sakat.Sakrat is celebrated by Santal Indigenous people in the month of January .In Bejatunj the Target object/Pole  is made by  1.Aradom(एराडोम) Tree-Santali Name, In Hindi Arandi आरंडी) or 2.Banana tree only. The tree is cutting by only unmarried boy. Target situated in East direction and people take enjoy from West direction. Top of the Target people keep” Sunum Pitha” ,A Santali Dish  which is made by Rice Flour.Then they worship the target pole. First Jogmanjhi Baba starts the Archery then common people enjoy it. Who win, He leaves an arrow toward sky and donates it to people and people target his arrow and enjoy the moment. Target pole is divided / cutting into three equal parts and every equal part is partially broken into two parts in 'V' letter shape. Winner sit on a villager's shoulder and go to Manjhi Than, the worship place of Santal. In some places it seen that if winner is elder person then in the place of winner a child enjoy the ride of shoulder. Target pole which is divided into three part respectively keep in Manjhi Than,Jog Manjhi's House Roof and Parnanik's house Roof. Then people enjoy the Lagre Dance.

Santal Jewelleries | Ornaments

Santal has their own way to adorn themselves with ornaments. The change in the jewelleries has been come along with the evolution of clothing. In earlier years back, Santal women wore bangles made of terracotta which was called hasa-sakam (hasa-mud and sakam-bangle).  They also used hasa mala (necklace made of terracotta beads). The beads were had made and it was dried after making it hollow. They used it as necklace by putting them in a sequence with a thread.

The hasa sankha and the mala were worn by the women only. The males also wore a bangle the difference was that the female bangle had motifs on the body where as the male bangle had no motifs.  Making of head of the animals and birds on joineries is more interesting in both the bangles.

Though accessories were popular but it was brittle, so it was worn during special days or when there is less physical work to do.
As the time passed on, People started using the ornaments made of bronze whey became able to afford it. In this period Santal women wore a distinct anklet which was ‘Itil Paini’ .

hasa mala

On a top view it looks like a rhombus. It was solid and had some floral motifs on it. It was being made in very small size as compared to the actual size of the foot of the Santal women. So it was a difficult job to put on the itil paini. They put it on with the help of applying oil on the foot which make it little easier to complete the job. Once it is put on then never taken out in life. That stays permanent. If it is urgent to take it out then they cut it by any means.

‘Melhed Sakam’ :
Melhed Sakam is a bangle which has very significant role in the Santal community. It is worn by married women only in left hand. It is supposed to be removed by women when she became widow. In usual days, women do not put vermillion on their partition of head and so it becomes difficult to find out whether she is married or not. But seeing ‘Melhed sakam’ on women’s can easily differentiate that she is married.

melhed sakam worn by santal married women
Melhed Sakam a bangle worn by santal married women 

danda jhinjhri

danda jhumka

different ornaments on different parts of body.

Later then, it was the time for silver and gold jewelries though silver  was preferred as it was more affordable and as for gold jewelries , it was then limited to Jamindari people who were rich.
There were a lot of Santals jewelries but as the time passed on  the today’s mainstream fashion has got those over. The each and every body parts had their own ornaments to wear.Some list of those jewelries are as follows below:
For hair bun: Pan kanta
On side of bun: Sud pasha
Above ear on hair:  Silha
For Ear:   Pagra
For nose: Phuli
For neck: Puisa mala (Coin Necklace)
For arm Baju
Hand:    Bala Sakam (Bangle)
F.ring:   Mudam
For waist: Danda jhinjri
For Ankle: khadu(anklet with solid structure) & Paini (anklet without ghungroos) and pajap (anklet with        ghungroos on it).

Santali Dance Form | Enej

Santal people have very joyous living. As they have community living and thus in occasion of happiness, events and in any festival they celebrate it by singing folksongs and folk dance.
Their dance consists of all holding each other’s hand which shows their communal unity.
But in different occasion, events and festivals their dance form also varies .Like songs, in Marriage ceremony they sing ‘dong’ songs and same dances ‘Dong enej’ .In baha festival, they dance ‘Baha’. Different festivals have different dance forms. Santal has many dance form.
There is mainly 8 dance form, which is traditionally accompanied by two drums: Tamak and Tumda. The flute (Tiriyo) is considered as the most important Santal traditional instrument which evokes the soul and feeling of nostalgia of Santals.

Dong enej :

Taking strides with drum the young men come forward and then the dance commences in two rows, their arms interlinking in pairs. The rows surge forward like rhythmic waves and then recede with supple footwork and swaying heads and bodies. The boys in the row opposite play on flutes, drums, and large cymbals and sing songs in perfect harmony. There are certain rounds of dance, after which women sings songs and the men playing tamak and tumdak also sings the song with context to song sung by women.

Baha enej :

Baha enej(dance) is performed during the eve of baha festival .This dance comprises the men and women . The dance starts with the calling the ‘Nayake’(prist)  from his house to  the Jaherthan . And at Jaher both men and women dances, when all the rituals at Jaher is completed they take the ‘Nayake’ back to his home with dancing in rows this dance form is called dahar enej. When they reach to Jaher, they dance baha enej.

Langde  enej :

Lagnde Dance by women.

This is performed in occasion of joy and any festival. Langde has many form and variation according to the occasion. Like in Sohray festival ‘Langde’ is also danced.

Jhika Enej:
Jhika enej is a dance variant, which is used when any dance form like Langde, dong get to its end. In some places Jhika enej is another dance form.

Dahar enej:
dahar enej dance santali
Dahar enej (Dance)

Dahar means ‘way or road’. Apart from ‘Akhra’, ‘Jaher’ and any particular place, it is danced in road or any path .

Karam Enej:

Karam enej

Karam enej is danced in karam festival, where karam tree is being worshipped  to protect village from disasters, bad evils and so that peace could  rest in village.

Dassai Enej:

It is danced by men only. Dassai is holy dance of Santal people, In this dance people adorn themselves with sapap(Dress and ornaments) of Thakur and Thakran. They wear/use Sharee,Sanka(for hand),Lipur(For leg),Paigon(small bell),Marah Pincher(peacock feather),Iynom(soot),Sunum(mustard oil),Sindur(Vermilion) etc.
                      There are many mythology behind dasai and why it is danced, according to one mythology ‘devi’ and ‘durga’ were the bonga of ojha and they used to be worshipped by oil,vermillion etc this is why in dasai dance people use these . The bonga ‘devi’ and ‘durga’ was taken to somewhere anonymously, and then the master/ojha and disciple dresses like women and visit each houses to search their bonga .

Another mythologies include Mahisasur that durga was Mahisasur, some says  once upon time there used to be a king whose daughter was kidnapped by kings enemy . Then the kings sent a group of warriors to search for the princess. The warriors dressed up themselves like dance performers, used their weapons like musical instruments and props for dance. They behaved like normal people,visited every house of the villages and asked for water, rice or grains in a hope to get any clue about the princess . The dasai song is a grief song.

Danta Enej :
It is a martial dance which shows their bravery skills and they carry their bow –arrow and other instruments.

Sadpa Enej :
Sadpa dance
Sadpa enej.

Sadpa Enej is mainly by women, it is very tough dance to do and needs practice and concentration. It has no any particular time to dance and mainly dance while welcoming someone or guest .

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